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Adobe offers Creative Suite 4 professional software in five flavors. Among them, the Master Collection offers professionals the most jam-packed digital toolbox. There are applications for concocting and editing digital pixel and vector graphics, print layouts, video, Web pages, and animation, and then repurposing that content for mobile devices. Those who don't need the whole shebang might consider suites that cost less, such as Web Premium or Standard for Web design, Design Premium or Standard with tools for printed media, or Production Premium for film (scroll down for charts with more details).

The release of Adobe Creative Suite 3 in 2007 was the first to incorporate former Macromedia products, such as Flash. With Creative Suite 4, Adobe has unified the interfaces of all the applications for a more seamless experience. The Flash-based panels within CS4 are more nimble than its predecessors, and handy pull-down menus with preset styles enable you to shift among work space layouts quickly.

The Master Collection will set you back about as much as, say, a Volvo from the 1990s: $2,499 for new or $899 to upgrade. It costs $1,599 for users of other CS3 suites to upgrade, or $1,199 for users with two eligible older versions of the suite. Buying all Master Collection applications individually would set you back close to $6,290, or more than $2,000 if upgrading from CS3 versions. The charts below detail the contents of and pricing for this and other CS4 suites; please click on the images of suites and their individual applications to learn what's new inside of each.

Prices for the individual applications haven't changed since CS3, but we wish that Adobe would lower the costs, or perhaps allow mix-and-match pricing for more flexibility. Artists who access this software from their workplace or purchase it at an educational discount might skip more than a few meals to afford it. Those on a budget who don't need so many tools might consider alternatives, such as CorelDraw graphics suite. The five CS4 packages (see chart below) are a relative bargain if you regularly rely on at least three of the included applications. If so, don't make the mistake of paying full price for the applications individually.

Setup and interface
The Web abounds with complaints about Adobe's installer and updater, and most are justified. Every Windows application installer suggests you close any running applications, but you can usually ignore it and 99 percent of the time everything works out fine. Adobe forces you to close your browser and all Microsoft Office applications, because many of the programs in the suite–primarily Acrobat–spread octopus-like tentacles throughout your working environment. That's pretty appalling in and of itself, but in addition to wasting a large chunk of time installing, you can't do anything else but play Solitaire while it's happening. And as before with the updater, you'll get to relive this delightful close-your-apps-or-else experience on a regular basis. Plus, the installation “progress” bar bears no relation to reality whatsoever, with its two steps forward and one step back movement.

Unfortunately, it took us nearly 2 hours to install the Adobe Master Collection CS4 on Windows Vista and XP machines (we didn't test CS4 thoroughly on a Mac). But that's still less time than with CS3. Adobe's custom installation lets you pick and choose which components to embrace or reject, but there's no mechanism for migrating your settings and all your custom tools.

You'll need powerful hardware to run the heavy-duty CS4 applications: Users of Windows XP SP2 or Vista must have a processor of at least 2GHz, or 3.4GHz for working with high-definition video. Photoshop now natively supports 64-bit Vista, while Premiere, After Effects, Soundbooth, Encore, and OnLocation are certified for 64-bit Vista.

A 1,280×900-pixel display with OpenGL 2.0-compatible graphics card is required, and support for Shader Model 3.0 may be needed, particularly for working with video. Mac users need an Intel multicore processor running Mac OS X version 10.4.11 or newer, at least 2GB of RAM, and free hard-disk space of 26.3GB or higher. Installation comes via DVD. More specifics are available at Adobe's Web site.

Features
If you rely on Adobe software for work, then CS4 could be worth the plunge, depending upon your staple tools. We find CS4 a more worthwhile upgrade than CS3 was. There's not much to wow users of Photoshop who don't work with 3D content, but Illustrator finally manages multipage documents. Flash, on the other hand, takes a big leap forward by slashing the steps required to build animation. Premiere can handle batch encoding and manage footage from tapeless cameras, while it and Soundbooth both convert recorded speech into text.

Workflow improvements to CS4 include autofill searches for timelines and projects in AfterEffects. Adobe aimed to improve the options for making round trips among the applications without rebuilding content. For instance, you can export Fireworks designs as CSS and bring them into Dreamweaver. There's greater integration from one application to the next, with support for the latest formats for Web sites and mobile phones, including desktop Adobe AIR applications. Please find links to reviews of individual applications in the chart below.

Service and support
We almost hate to rate Adobe's tech support as excellent due to the extreme expense of live, personalized help from the company. However, the software industry has been moving away from free customized assistance for years. At least Getting Started help for installation issues and other speed bumps lasts for 90 days. Adobe's comprehensive, self-serve options include embedded and online lookups, tutorials, and excellent videos. Also, the company has expanded its help-yourself and peer support online. The new Adobe Support Portal requires an Adobe log-in and password. Newbies would be wise to get up to speed with the interactive tutorials and maybe even third-party books and Web sites. Web-based forums with other users, as well as the Community Support in beta testing, may be the best bargain for getting hands-on advice.

Don't bother trying to seek extra help without a registered serial number; the days of “borrowing” copies of heavy-duty Adobe software from friends are long gone. Help with a live Adobe representative continues to be expensive. Each year we find the pricing options harder to find on Adobe's Web pages. The Bronze level of support, for five prepurchased incidents, is $175. Unlimited Silver support costs $1,200, three times the price of some applications, like Dreamweaver. Such pricing is clearly set for corporations rather than freelancers.

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There have been spurts of rumors about the potential for, say, a 3G MacBook Air, but nothing came of them, and that particular market niche would appear to now be amply covered by the iPad 3G.

Disinterest From Apple

However, MacBook Air fans shouldn’t give up hope just yet. Earlier this month the Mac mini got a major refresh and new lease on life after a long stretch of apparent disinterest from Apple.

I have no inside knowledge, but what I suspect is that Apple wanted to wait and see what sort of market reception the iPad achieved before committing to a MacBook Air upgrade. Of course, the fact that the iPad has been an out-of-the-park home run in sales performance probably hasn’t enhanced the Air’s prospects for survival, but it’s more complicated than that.

For one thing, the two machines occupy widely divergent points on the price spectrum, and in that context don’t compete directly with each other, although it is entirely conceivable that some users who might otherwise have purchased a MacBook Air will now get an iPad to serve as a light, handy, mobile computing device. I expect more than a few will be of that persuasion, bleeding potential sales from an already limited MacBook Air market.

A “Real” Computer

On the other hand, a sizable cohort of users will still want a “real” ultralight laptop computer with a proper keyboard, a trackpad and stand-up display that can run full-fledged Mac OS X production application software. Despite its virtues, which are many, the iPad meets none of those criteria.

Personally, I’ve resisted the 3-pound, 0.76-inch thick MacBook Air mainly on price, but have also objected to its constrained expandability and connectivity. However, compared with the iPad, which hasn’t even a single real USB port to its name, the Air is almost a power-user machine.

One of the MacBook Air’s problems is that it’s always been arbitrarily positioned and priced as something of a carriage trade accessory and arm candy for well-heeled users, rather than as a serious work tool. In terms of practical capability, the 13-inch MacBook Pro has pretty much all of the same bases covered, aside from extreme thinness and light weight, and in a package that’s not grossly thicker, heavier, or larger in footprint, and which manages to look really great doing it while selling at a relatively bargain basement price. Willingness to carry around an extra 1.5 pounds to get the MacBook Pro’s superior performance is a subjective value judgment and benefit trade-off. These things are relative; the MacBook Air weighs twice as much as an iPad.

Get a MacBook and iPad Both for the Price of a MacBook Air

Another way to look at it is that you can buy a white, entry-level MacBook and a base model iPad for exactly the same money as the base MacBook Air, and essentially have your cake and eat it, too, at no greater cost.

Yet another possible stumbling block in the MacBook Air’s upgrade path is Apple’s CPU vs. GPU dilemma. The current Air has, as noted above, Core 2 Duo processor silicon paired with NVIDIA 9600M integrated graphics processing — both categories being previous-generation hardware. Apple chose to stick with Core 2 Duo for the 13-inch MacBook and MacBook Pro so they could use NVIDIA’s new and much faster 320M integrated GPU, which I think was a good and sensible decision for now. But for an ultraportable machine like the MacBook Air, raw graphics performance is not a first-priority attribute. Few users are likely to be doing high-end graphics, video editing or serious gaming on an Air.

Core i3 Power?

Consequently, Intel’s new low-power consumption Core i3 CPU with its own, in-house HD Graphics GPU and Hyper-Threading technology, which enables each processor core to address two tasks at the same time, might arguably be a more sensible alternative. That would make the Air the only Apple system using Core i3 silicon, which is offered in clock speeds ranging from 1.20 GHz to 2.40 GHz, but presumably it won’t be sticking with Core 2 Duo for the 13-inch MacBooks forever, so it could serve as a relatively low–volume engineering trial.

It would help if Intel could relent and license NVIDIA to make graphics chipsets for core CPUs, but odds of that happening are difficult to gauge.

With the iPad’s spectacular sales success, I have to say I’m skeptical about the MacBook Air having a very auspicious future. However, Apple has surprised us before, and it could again. If you really want a MacBook Air, my best guess is that it might be prudent make your move now while they’re still available, but don’t be mad at me if you do and Apple springs a new Air on us.

The Microsoft Mac team has posted the first in a series of videos that show off some of the new features in Microsoft Office for Mac 2011.

The next version of Office for Mac, which includes the valiant return of Outlook for Mac, is due out by the end of the year. The Mac Office team has been posting about some of the new features and some of the changes to the interface.

This Mac release is a big deal because it will finally put the Mac and WindowsWindows versions of Office on more equal footing. In addition to bringing back Outlook (no tears will be shed over the death of Entourage), the next version of Office for Mac will include the ribbon interface first introduced in Office 2007. Although Office for Mac 2008 had some of these elements, the next version will really take things a step further.

Additionally, some of the newest features from Office 2010 — like conversation view for Outlook — will be coming to the Mac version. Even better, the new database system for Outlook for Mac will be compatible with both Time Machine and Spotlight. This is actually a pretty big deal because one of the problems with Entourage is that it doesn’t work well with Time Machine.

You can check out the video of the Office for Mac team explaining some of these new changes below:

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